Nea fellowship 2019

Taught by Alex Wilson of the Australian band Sleepmakeswaves, this course is less about recording at home and more about how to take in-the-box material and make it come to life while you’re performing onstage. We take you through the best gear to use, how to organize your tracks in Ableton Live, how to setup your laptop rig, and much more!

Modes and Key Signatures have a variety of different characteristics and are great for outside-the-box songwriting. Here’s a cheat sheet to remember them!

Another bonus of recording this way is having separated audio files between you and your guest. If they cough while you’re talking, you can cleanly remove it from their track without affecting your voice.

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The fact that among all modes, these two were chosen as the pillars of our system, resulted from a predominance in the use of these two scales from the Baroque Period onwards. To put it differently, the modes above share all the same notes, but since they start from a different degree of the major scale, each mode has a slightly different construction, and feel to it.

All of our mentored online courses come with six weeks of 1-on-1 professional coaching and feedback on your work. It’s like having a personal trainer, but for music! Whether you’re interested in diving deep into a production-related topic like Modern and Advanced Mix Techniques, Songwriting for Producers, or Making Music in Logic Pro X, or just in working with a Soundfly Mentor directly to achieve a musical goal specific to you, we can help you get there!

Perhaps the most popular song form in modern music, the Verse-Prechorus-Chorus is also very versatile and strong. It features the inclusion of a prechorus, a bridge between your verse and your chorus that ties the two sections together with a central idea or melody, or a way to flip your chord progression around so the chorus makes sense starting on a new chord.

Filippo Faustini is a guitarist and producer based in London. He graduated in Modern Guitar at the Conservatoire in Frosinone (Italy) and then he completed an MA in Composition for Moving Images at City University (London). He is the guitarist and producer for the London-based alt rock/ambient band, Alice in the Cruel Sea. Filippo is also the co-founder of a recently formed music production company called Music Brewery where he works as producer and mixing engineer. 

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Everyone knows that drinking water is the easiest way to stay hydrated. But did you know that drinking melon water is even better? Not only does it add some welcome flavor to your bland ol’ H2O, but adding chunks of watermelon, cantaloupe, and honeydew will actually hydrate your vocal cords and throat faster than plain water. The molecules of the melon are larger than those of water, and therefore stay in the vocal tract longer, resulting in higher levels of hydration!

It absolutely could make “lazy” DJs better selectors, however, that is not our focus. We want to help people become better listeners and help them identify and understand the music they actually love, so they can confidently find more of it.

This course covers quite a bit of ground. It starts with some Ableton basics, and then moves through important concepts like velocity, variation, and sound design, closing out with an intro to advanced techniques. Robin was a remarkable student who came into the course pretty new to Ableton and ended up creating this awesome, professional-sounding track. There are so many cool elements at play here. It’s a really nice blend of variety and cohesion from start to finish. Check it out, but be warned that you may end up leaving it on repeat.

It has gone down in history as one of the most epic Super Bowl performances ever, and these halftime shows are already pretty epic in and of themselves. In 40 years, it had never rained at a Super Bowl, and Prince really brought the party with four absolutely perfect songs for the occasion, and, of course, the one. “Purple Rain” is later in the video, but the whole thing is a good watch.

When the studio asked for a song that sounds like The Beatles, Schlesinger decided to use similar instruments, style, and production techniques from the time period. If anyone in their 40s or 50s walked into the theater to watch the film, they were immediately transported back to their youth. For those of us too young to have lived through the early 1960s, it’s likely that our parents introduced us to the music of The Beatles at some point so that we’d have our own developmental reference point as well.