With all of Logic’s inredible instruments, producers often rely on the sound of the samples right out of the box, here’s how to make them more interesting.
This is the bare minimum they seem to ask for, though we were ultimately asked to go back three or four. Basically, what they’re looking for is some sort of average that you make per year, which their number crunchers will put in a formula to figure out how much you can afford.
In the live version above, he almost looks bored while he absolutely shreds — especially in comical contrast to the insane antics of his eccentric bandmates.
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For some unestablished musicians, the thought of going from making music in a bedroom or garage to playing on stage in front of strangers seems more like a Grand Canyon’s wide leap than a seamless transition. Even before the thought of potential nervousness over performing live for the first time sets in, there are things to consider like how to build your set, where to play, and who to get in touch with about booking. This can indeed be a tricky transition, but luckily, it’s one you’ll only have to make once.
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Together, that’s D, E, F♯, G, A, B, and C♯ — all the notes in the D major scale! Consolidating all these notes within one four-bar progression firmly roots this song into the key of D major.
This technique is most widely used as an alternative to the “speeding buildup” technique. Here, the buildup section is supported with a marching snare-type instrument, serving the purpose of increasing the energy right before the chorus or the drop.
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But here’s the good thing. Before you go spending $6,000 on a professional studio, you don’t need a pristinely recorded full-length album under your belt at all. Demos are fine, but try to get a decently home-recorded and mixed couple of tracks together whenever possible. If it doesn’t sound perfect, that’s fine, just don’t print and sell copies of those songs yet. Just don’t think about booking local shows until you’ve got music to share.
For example, a kick-driven house track needs to be shaped much differently than a lo-fi song with drum parts you want tucked somewhere in the background. Experiment with different EQs and compressors and resist the urge to lean too heavily on preset options. Purposefully muddling certain instruments in your kit while keeping others sharp and focused can also create an interesting contrast to build on.
In an interview with The Hollywood Reporter, Ryan Tedder, a songwriter and the frontman of OneRepublic, once said: “With iPhones, nobody has an excuse for writer’s block. If you’re at Whole Foods getting your green tea extract and you have a melody, you just drop it into your voice memo and save it for later.” Going along with Ryan’s idea, if you have stockpiles of melodies and song snippets saved in your phone, go back to listen to them and you might find your “diamond in the rough” idea that will kickstart a new song for you.